Movies that open in less than 1,500 screens are not automatically polled or reported on social media or on the CinemaScore website. I thought the VistaVision vs. Technoscope comparisons were interesting, but I've noticed that the "roundness" effect tends to be more pronounced in formats with taller aspect ratios. Ce procédé propose une image moins grande que le CinemaScope mais de meilleure qualité [108] avec un défilement horizontal du film négatif 35 mm au lieu d'une image anamorphosée [123]. El format VistaVision (també anomenat 8 perforacions), el qual va ser creat per la productora cinematogràfica Paramount, fou un format alternatiu d'impressió fotogràfica al … See sample footage. VistaVision: | | ||| | A VistaVision 35mm horizontal camera film frame. It was Hollywood's response to televison, a way to bring people back to the movies. And to think that there are people who complain to the Curator about our precious little usherettes! The widescreen boom of the 1950s soon followed, with CinemaScope (2.35:1) and VistaVision (1.85:1) providing audiences with experiences they couldn’t have at home. I became enamored with the 2:35:1 aspect ratio this Summer and ever since have output most of my videos in this format. Hitchcock alternatively used VistaVision, a non-anamorphic widescreen process developed by Paramount Pictures and Technicolor which could be adjusted to present various flat … There's a video on that same page of a guard walking through a prison checking on prisoners that has a very distinctive large format look but it's less pronounced than the VistaVision reference. Do you wonder what Cinemascope footage looks like? VistaVision cameras were later used for special effects, starting with the original Star Wars, because of the high quality of the resulting shots. Then he goes on to say "The woman who is not Rosemary Clooney..." (She has a name. En 1954, la VistaVision … It is fairly difficult to tell the difference on a small screen but if you were at a movie theater the difference would be obvious. Inventé par les ingénieurs de la Paramount en 1954 comme une réponse au CinemaScope de la Twentieth Century Fox, le procédé VistaVision nécessitait l'utilisation d'une caméra spéciale. The higher grain count of the 8-perf frames compensated for optical composition when the various elements were brought together. In the 1950s, the potential of 35 mm film to provide wider projected images was explored in the processes of CinemaScope (1953) and VistaVision (1954), following multi-projector systems such as Cinerama (1952). VistaVision had the tag line 'We have the height', an argument that IMAX is using, playing to people who don't like black bars on their tellies. If you watch a movie in a theater, you are most likely seeing it in the 2:35:1 aspect ratio, also known as Cinemascope or Anamorphic. Ce rapport de compression est de 2. So he's watching "White Christmas" and says "Do you know this was the first movie shot in VistaVision?" To introduce the new process, Paramount tapped White Christmas. This list of film formats catalogues formats developed for shooting or viewing motion pictures, ranging from the Chronophotographe format from 1888, to mid-20th century formats such as the 1953 CinemaScope format, to more recent formats such as the 1992 IMAX HD format. Le CinemaScope est un procédé de prise de vues et de projection qui consiste à anamorphoser (comprimer) l'image à la prise de vue, pour la désanamorphoser à la projection. Fighting to remain relevant after the demise of three-strip color photography, Technicolor entered the widescreen market with its own process. Niall Conroy Niall Conroy 92 posts; Other; Ireland; Posted March 31, 2012. (L'image est comprimée à la prise de vues, puis dilatée à la projection, grâce à un objectif secondaire, l' Hypergonar, inventé en 1925 par Henri Chrétien.) Lawrence of Arabia Now HI-REZ! All VistaVision squeezed prints, the same as VistaVision standard prints, will not project properly through the CinemaScope 2/1 expander lenses. Procédé de cinéma sur écran large par anamorphose de l'image, lancé en 1953. Anamorphic vs Cropping. At right, a bit more recognizeable superstar Marilyn Monroe fondles a CinemaScope projection adapter lens. IMAX Digital is 1.9:1, very close to 1.77:1 compared to the 2.40:1 ratio that most filmmakers use. En 1953, le CinemaScope apparaît, utilisant toujours un film 35 mm, mais avec une optique permettant de comprimer horizontalement l’image pour obtenir un rapport allant de 2,35:1 à 2,66:1. The VistaVision format has a native 1.50 : 1 ratio because it's the same as the 8-perf Full Frame 35mm still format, but all VistaVision movies were framed for release in other aspect ratios. And, the image was considerably sharper, because the movie contained twice as many frames; it was filmed at half-speed and then projected at double speed. I love CinemaScope and other widescreen formats that came into use in the 1950's. Définitions de CinémaScope. Paramount did not use anamorphic processes such as CinemaScope but refined the quality of their flat widescreen system by orienting the 35 mm negative horizontally in the camera gate and shooting onto a larger area, which … Paramount est le seul grand studio aux États-Unis à ne pas suivre immédiatement l’engouement du CinemaScope et à proposer en 1954 un autre système Wide Screen, dit VistaVision, présenté le 27 avril 1954 à New York, sur l’immense écran (20 m de base sur 11 m de haut) du Radio City Music Hall. VistaVision was mostly used by Paramount, the only studio that rejected CinemaScope; it wasn't a widescreen process (though the frame could be cropped to a faux-widescreen ratio, the optimal projection width of a VistaVision movie is about 1.85:1), but rather made its effect through the higher quality of the image it produced. Plenty of movie-goers today will still ask what is CinemaScope, even if they can recognize the CinemaScope aspect ratio in its evolved form. Audiences expected more of their films and large widescreen Cinemascope films were a way to attract audiences. CinemaScope vs VistaVision : à la conquête du panoramique... La Paramount fit ses premiers essais en Technicolor dès 1936, notamment dans The Trail of the Lonesome Pine de Henry Hathaway. IMAX is reliving a battle from the 1950s, which was VistaVision vs CinemaScope. While … VistaVision is a higher resolution, widescreen variant of the 35 mm motion picture film format which was created by engineers at Paramount Pictures in 1954. Known during its development work as the 'Technicolor Universal Frame Process', the negative was to be the same as VistaVision's 8-perf [double-frame] horizontal 35mm film format, but with the aspect ratio of the image increased to that of CinemaScope's 2.35:1, by using an anamorphic lens on the camera. But the name still shows up in contemporary cinema. Afin de concurrencer l'avènement du CinemaScope chez Twenthieth Century-Fox, un procédé d'écran large, la Paramount indroduisit, en 1954, la VistaVision. Movies were released on home video mediums that allow consumers to watch movies whenever they want. Quote ; Share this post. just a video to show you the difference between widescreen and fullscreen using footage from the film matrix. It was used as a way to get audiences back in the theaters. At left is actress Marla English with a wooden mockup of the yet to be completed Mitchell Elephant Ear VistaVision camera. Just as VistaVision had a few flagship engagements using 8-perf horizontal contact prints and special horizontal-running projectors, there is a bit of evidence [citation needed] that horizontal prints were envisioned for Technirama as well (probably with 4-track magnetic sound as in CinemaScope), but to what extent this was ever done commercially, if at all, remains unclear. (Chrétien's hypergonar lenses) From the front, the aperture of a lens looks like an oval. Paramount did not use anamorphic processes such as CinemaScope but refined the quality of their flat widescreen system by orienting the 35 mm negative horizontally in the camera gate and shooting onto a larger area, which … Cinemascope became popular at a time when the cinema industry was suffering due to the rise of television. VistaVision is a higher resolution, widescreen variant of the 35 mm motion picture film format which was created by engineers at Paramount Pictures in 1954. Video shot with an Anamorphic Lens. Link to post Share on other sites. I said "Yes actually I did a paper on VistaVision vs. CinemaScope in college." How CinemaScope changed the cinema landscape. Additionally, CinemaScope pushed other studios to try their own film processes, some of which are now industry standards. | Hollywood Spectacles Le CinemaScope est alors adopté par toutes les compagnies sauf la Paramount qui propose peu de temps après le VistaVision. If a film opens in less than 1,500 screens, CinemaScore either doesn't poll the film at all or may be contracted privately (by the film’s studio or producers) to conduct a survey. At a width-to-height ratio of 1.85 to 1 (vs. CinemaScope’s 2.55 to 1), VistaVision would offer an easier-to-view image that could be shown on standard movie screens. 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