Internal 5.9K Cinema RAW Light recording. Just to be clear, this course is not about how to shoot with the Canon C500 Mark II, but how to operate it. Up to 810Mbps internal recording. Of course, you can record in 5.9K which gives lots of flexibility for cropping in post. The majority of the course circulates around the idea of modulation which is implemented on many cinema cameras in the market. ManualSearcher. Apples vs. pears, but…: can the EOS R keep up with the C500 II when it comes to video? With a choice of body styles, lens mounts and codecs, the Canon EOS C500 Mark II is a truly flexible cinema camera. Receive news and offers from our other brands? Of course, your editing software will generate low-res proxies at the ingest stage of you wish, but this will hugely increase the time it takes before you can start the edit. With a 5.9K full-frame 35mm sensor, it can record in incredibly high quality 12-bit Cinema Raw Light or 4K 10-bit 4:2:2 XF-AVC to memory cards. Canon C500 Mark II with EU-V2 extension Unit Whilst the FX9 is essentially a full frame version of the FS7 (with other improvements and additions of course), the C500 Mark II is a completely different beast to the C500 Mark I and perhaps should have been named something completely new to set itself apart from the original that was a bit of a commercial flop. Creative filmmakers have long been yearning for the incredibly shallow depth of field and low-light performance you can only get with a full frame sensor, stunning autofocus that actually works, in-body image stabilization and manageable Raw files that you can record internally as well as 10-bit 4:2:2 broadcast-ready codecs. Efficient RAW file onto CFexpress. You can fasten an EF Cinema Lock mount which is ideal for Canon cine primes with a follow-focus rig attached, or a PL mount which supports the Cooke/i system to communicate lens data to the camera. Size: 167.6x152.4x147.3mm The camera was hugely popular and still is loved by many cameramen. This review was created side-by-side with the Canon EF 600mm f/4.0L IS II USM Lens review. There’s also a B4 mount adapter for TV-style lenses. It turns the camera into a broadcast and streaming-ready production unit. Canon EOS C500 Mark II Cinema Camera. 5.9K Full Frame CMOS sensor. As well as the additional connection of the EU-V1, it also adds on two XLR terminals, a 12-pin lens terminal and a 24V DC output socket. 4K 4:2:2 10-bit. That means you can spend time in post processing to finesse the Raw files which makes them ideal for grading, or have an edit-ready C4K codec that’s faster to ingest, process and edit. Atomos told me that they support 24 & 30p Canon Raw to Pro Res Raw recording on the Shogun Inferno and Sumo recorders with the C300MK II and C500. We’ve watched the whole course and found Vimeo as (unfortunately) very poor streaming service for this high-quality educational content. As soon as you wanted to achieve more than 60fps, most of the cameras cropped massively into the sensor. Email Address Credit: Canon C500 Mark II picture quality and color science. In our opinion, MZed should ditch Vimeo and find more efficient and smoother streaming options. Canon has never been the manufacturer to go wild for high frame rates, and the maximum 120fps is the only slightly disappointing feature of the camera as rivals offer up to 120fps in 10-bit 4:2:2 4K or 240fps in FHD. It’s no replacement for a gimbal but is certainly very useful for handheld work. Creative Park Creative Park Creative Park. That’s comparing a $1,800 camera with a $16,000 professional tool for videographers. If the outside of the Canon C300 Mark III looks both different and familiar, there’s a reason why: it uses the exact same body as Canon’s C500 Mark II camera. That makes it the first full-frame cinema camera that can record cinema Raw that’s not totally out of the reach of independent filmmakers. Get the best of filmmaking! Weight: 1.7kg (body only). In XF-AVC it’s up to 120fps but there is a crop. Although you can always meticulously read the hundreds of pages of the manual, it’s a much more efficient (and smart) approach to watch this course. Share this. A week after the announcement of this affordable 4K RAW camera, we had a chance to put it to the test, shoot a lot of RAW and MP4 footage and create this Canon C200 Review for you. La Canon EOS C500 Mark II est une caméra compacte et polyvalente équipée d’un capteur type plein format 5,9k et du processeur DIGIC DV 7. And another big advantage over rivals is Canon’s 5-axis Image Stabilization which also works with anamorphic lenses. The Canon EOS C500 Mark II mixes the best of high-end cinema cameras and mirrorless tech, in a modular body that can be stripped down for drones or gimbals or dressed up for movies with external monitors and the like, or fitted with accessory backs to allow full TV broadcast. So you can edit these low-res proxy files rather than having full-size footage slowing down your edit, then replace them with the high-res Raw or XF-AVC footage for final output. Luckily, as well as recording Cinema Raw Light or XF-AVC internally onto CFexpress cards, simultaneous proxy recording is also possible. Connect with. The C500 Mark II uses the 12-bit Canon Raw Light recording format to a pair of CFExpress cards, but if you want full-blown 16-bit Raw you can add on a digital recorder. EF locking (CM-V1) 2. The standard EF mount is non-locking. Please deactivate your ad blocker in order to see our subscription offer, We check over 130 million products every day for the best prices, (Image credit: Adam Duckworth/Digital Camera World). Especially when adding external devices such as a monitor or wireless audio and video transmitters. Explore our review below. MZed Review: Canon C500 Mark II Camera Primer by Yossy Mendelovich. 18 Movies Shot On Canon EOS-C500 Camera - Epic Rap Battles of History, Jason Bourne, The Transfiguration, Camino a La Paz, Fathers and Daughters, The Big Short, The Man from U.N.C.L.E., Avengers: Age of Ultron, Man & Beast, Canon USA EN. Get the best camera deals, reviews, product advice, competitions, unmissable photography news and more! The full-frame model has built-in ND filters up to 10 stops, though these are the conventional stepped variety rather than the electronically variable type as used by Sony’s newest cameras like the FX9. Transfert d'images et de films simple depuis votre appareil photo Canon vers vos appareils et services Web. If you are going to rent or buy the C500 Mark II, this course is a must. Now the long awaited successor, the Canon EOS-C300 Mark II came out. These are very similar lenses that arrived at the same time, so you are sure to see many similarities between these reviews. B… And there are waveforms, zebras and false color warnings  to help you nail focus and exposure. In Raw or XF-AVC, the footage is incredible clean and noise-free as you’d expect from a large sensor. Understanding how things work mainly in the C500 Mark II will help you assimilating other cameras’ functionality and design as well, especially in professional productions. There was a problem. But the Dual Pixel CMOS, which uses on-sensor AF sites that cover 80% of the frame, is great at locking onto a subject and keeping it pin sharp. Receive mail from us on behalf of our trusted partners or sponsors? Bolt on the grip, top handle and bracket for the screen and you have a perfectly serviceable camcorder, ideal for run-and-gun documentary, wedding or event work. Can it be … For those who can’t stand Vimeo service, there is an option to watch MZed courses via mobile devices (iPad for instance) which is great. Or by touching a different point on the screen, the camera will rack focus. In its place you can mount two different units. The continuous AF tracks moving objects well, and you can alter AF tracking speed and response to suit individual subjects. This design not only allows for more modularity within the C300 line but also means all accessories designed for the C500 Mark II will also work with the new C300 Mark III. Users also benefit from smooth, intuitive touch focus operation with the new 4.3-inch LCD monitor LM-V2, as well as an improved focus control that recreates a more natural focus pull. Canon sells the following two adapters, both with shim kits: 1. In case you’d like to explore C500 Mark II capabilities, head over our article: Canon C500 Mark II: Sample Footage and Real-World Execution which demonstrates the camera capabilities regarding footage quality of Canon’s best cinema EOS so far. Canon EOS C500 Mark II; Canon EOS C500 Mark II manual (1) give review - + Digital Cinema Camera. However, the IBIS doesn’t work when recording in Raw and the fastest frame rate is 120fps with a sizable crop, so it’s not ideal for shooting action sports. © Published on May 3, 2020. The Canon EOS C500 Mark II 5.9K Full-Frame Camera Body is part of the Cinema EOS lineup of cameras, and it features a full-frame CMOS sensor with an effective 18.69MP resolution. This short and effective piece of education can be a huge plus, regardless of cameras being used on set. For the sake of filmmakers’ knowledge, we’ve managed to build a chart that contains selected major…, “Shaken, not stirred” is a catchphrase of Ian Fleming’s fictional British Secret Service agent James Bond…, Thanks to pictures posted by Yann Besset on the RED KOMODO Users FB group, we can…, Shot on the RED Monstrochrome, Mank was aimed to be a pure black and white masterpiece.…, Apple wants you to be convinced that the new iPhone 12 Pro was designed for filmmakers.…, © 2018. There are pro audio controls and a battery that lasts. Newest Most Voted. An inside look at Canon’s flagship The Canon C500 MkII Camera Primer is a new course by MZed educational platform for creators, that is dedicated to the Canon’s EOS full-frame … The EOS C500 Mark II arrives with a full-frame sensor designed and built by Canon, which appears to be the same one found inside the EOS C700 FF, and this is capable of recording 5.9K video. There is one thing that needs improvement. Canon C500 Mark II. North Sydney Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking! For the best quality, Cinema Raw Light offers huge advantages over conventional codecs, as it maximises the data from the sensor from which you can drag out more highlight and shadow detail, then add sharpness, manage noise, change white balance and tweak the colours hugely in the grade. But the IBIS only works on XF-AVC and not when shooting Raw. The EU-V1 Extension Unit 1 offers ethernet for easy live streaming, a remote control socket and Genlock/ Sync out options ideal for multi-camera shoots. The C500 Mark II is a full-frame camera with RAW workflow dedicated for high-end productions, that meant to bridge the gap between the C300 Mark II and the C700 series, as well as to be a complementary camera to the C700 series (go here to read about the history of Canon’s Cinema EOS). Of course, the heart of the camera is that full-frame sensor and new Digic DV7 processor to support 5.9K internal Cinema RAW Light in 12-bit from the full width of the sensor, and DCI 4K XF-AVC 10-bit 4:2:2. The duration is a bit more than three hours. The Canon C500 Mark II is very exciting, the moment I heard about the new camera I ordered one! Ideally a body that can be used for every potential project, from high-quality Netflix drama productions to documentaries, weddings and commercials, live streaming and event coverage. Nearly four years ago when the Canon EOS C300 came out, there was always the cry out for more than 8-bit for the MPEG2-LongGOP codec.
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